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The next is a listing of incessantly requested questions concerning the BOB ROSS Oil Portray Approach and a few instruction concerning the use and care of the supplies.
BLENDING:
This method refers back to the softening of laborious edges and most seen brush strokes by mixing the moist oil paint on the canvas with a clear, dry brush. In mixing, an already painted space is brushed very frivolously with criss-cross strokes or by gently tapping with the nook of the comb. This provides colours a mushy and pure look. Not all oil paints are appropriate for this system – most are too mushy and have a tendency to smear. Solely a thick, agency paint is appropriate for this system.
MARBLING:
To combine paints to a marbled impact, place the completely different coloured paints on the blending space of your palette and use your palette knife to select up and fold the paints collectively, then pull flat. Streaks of every colour ought to be seen within the combination. Don’t over combine.
THINNING PAINTS FOR ADDING HIGHLIGHTS:
When mixing paints for software over thicker paints already on the canvas, particularly when including spotlight colours, skinny the paint with LIQUID WHITE, LIQUID CLEAR or ODORLESS THINNER. The rule to recollect right here is {that a} skinny paint will keep on with a thicker paint.
CLEANING AND DRYING THE BRUSHES:
Portray with the moist on moist method requires frequent and thorough cleansing of your brushes with paint thinner. An empty one pound espresso can is good to carry the thinner, or use any container roughly 5″ in diameter and at-least 6″ deep. Place a Bob Ross Display screen within the backside of the can and fill with odorless thinner roughly 1″ above the screen. Scrub the brushes bristles against the screen to remove paint sediments which will settle on the bottom of the can.
Dry your larger brushes by carefully squeezing them against the inside of the coffee can, then slapping the bristles against a brush beater rack mounted inside of a tall kitchen trash basket to remove the remainder of the thinner. Smaller brushes can be cleaned by wiping them with paper towel or a rag (I highly recommend using Viva paper towels because they are very absorbent). Do not return the brushes to their plastic bags after use, this will cause the bristles to become limp. Never clean your Bob Ross brushes with soap and water or detergent as this will destroy the natural strength of the bristles. Store your brushes with bristles up or lying flat.
APPLYING LIQUID WHITE:
Use the 2″ brush with lengthy, agency vertical and horizontal strokes throughout the canvas. The coat of Liquid WHITE ought to be very, very skinny and even. Apply simply earlier than you start to color. Don’t permit the paint to dry earlier than you start.
PLACEMENT OF OIL COLORS ON THE PALETTE:
I recommend utilizing a palette not less than 16″x20″ in measurement. Attempt arranging the colours across the outer fringe of your palette from light to darkish. Go away the middle of the palette for mixing your paints.
LOADING YOUR BRUSH:
To totally load the within bristles of your brush first maintain it perpendicular to the palette and work the bristles into the pile of paint. Then holding the comb at a forty five diploma angle, drag the comb throughout your palette and away from the pile of paint. Flipping your brush back and forth will insure either side might be loaded evenly.
(NOTE: When the bristles come to a chiseled or sharp flat edge, the comb is loaded appropriately.)
For some strokes you might have considered trying the top of your brush to be rounded. To do that, stand the comb vertically on the palette. Firmly pull towards you working the comb in a single course. Elevate off the palette with every stroke. This may are likely to spherical off the top of the comb, paint with the rounded find yourself.
MIXING FOR HIGHLIGHTS:
Place the tip of your brush into the can of LIQUID WHITE, LIQUID CLEAR or ODORLESS THINNER permit solely a small quantity of medium to stay on the bristles. Load your brush by gently dragging it by way of the spotlight colours, repeat as wanted. Gently faucet the bristles towards the palette simply sufficient to open up the bristles and loosen the paint.
LOADING THE PALETTE KNIFE:
Along with your palette knife, pull the combination of paint in a skinny layer down throughout the palette. Holding your knife in a straight upward place, pull the lengthy working fringe of your knife diagonally throughout the paint. This may create a roll of paint in your knife.
WHAT IF I HAVE NEVER PAINTED BEFORE?
There are not any nice mysteries to portray. You want solely the will, a couple of primary methods and a little bit observe. lf you might be new to this system, I strongly recommend that you simply learn your entire part on “TIPS AND TECHNIQUES” previous to beginning your first portray. Take into account every portray you create as a studying expertise. Add your individual particular contact and concepts to every portray you do and your confidence in addition to your potential will enhance at an unbelievable price.
WHAT PAINT SHOULD I USE?
The BOB ROSS strategy of portray depends upon a particular agency oil paint for the bottom colours. Colours which are used primarily for highlights (Yellows) are manufactured to a thinner consistency for simpler mixing and software. The usage of correct gear helps guarantee the very best outcomes.
Liquid Clear is a very thrilling ingredient for wet-on-wet portray. Like Liquid White/Black, it creates the required easy and slippery floor. Moreover, Liquid Clear has the benefit of not diluting the depth of different colours particularly the darks that are so essential in portray seascapes. Keep in mind to use Liquid Clear very sparingly! The tendency is to use bigger quantities than mandatory as a result of it’s so tough to see.
13 colours we use are listed under:
*Alizarin Crimson
*Sap Inexperienced, Vibrant Crimson
*Darkish Sienna
*Pthalo Inexperienced
Cadmium Yellow
Titanium White,
*Pthalo Blue,
*Indian Yellow
*Van Dyke
Brown
*Midnight Black
Yellow Ochre
*Prussian Blue (*signifies colours which are clear or semi-transparent and which can be used as underneath paints the place transparency is required.)
HOW DO I MIX COLORS?
The blending of colours could be probably the most rewarding and enjoyable elements of portray, however may be probably the most feared procedures. Commit a while to mixing varied colour mixtures and develop into conversant in the essential colour mixtures. Examine the colours in nature and observe duplicating the colours you see round you every day. Inside a really quick time you may be so comfy mixing colours that you’ll look ahead to every portray as a brand new problem.
SHOULD YOU USE JUST ANY ART PRODUCT FOR THIS METHOD OF PAINTING?
Presumably the #1 downside skilled by people when first making an attempt this system and the most important trigger for disappointment revolves round the usage of merchandise designed for different kinds of portray or supplies not designed for art work in any respect (i.e. home portray brushes, skinny soupy paints, and many others.).
The entire work for this system had been created utilizing Bob Ross paints, brushes and palette knives. To realize the perfect outcomes out of your efforts, I strongly advocate that you simply use solely merchandise designed particularly to be used with the Bob Ross wet-on-wet method.
HOW LONG WILL IT TAKE MY PAINTING TO DRY?
Drying time will differ relying on quite a few components akin to warmth, humidity, thickness of paint, portray floor, model of paint used, mediums used with the paint, and many others. One other issue is the person colours used. Completely different colours have completely different drying occasions (i.e., usually Blue will dry very quick whereas colours like Crimson, White and Yellow are very gradual drying). A superb common time for an oil portray to dry, when painted on this method, is roughly one week.
SHOULD I VARNISH MY PAINTINGS?
Varnishing a portray will defend it from the weather. It would additionally assist to maintain the colours extra vibrant. lf you resolve to varnish your portray, I instructed that you simply wait not less than six months. It takes this lengthy for an oil portray to be fully cured. Use a very good high quality, non-yellowing image varnish spray. I personally spray my work after about 4 weeks and haven’t had any issues.
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Supply by Gerald Scott
